Sunday, May 30, 2010

Heart Songs / Album Review: Huey Lewis & the News 'Greatest Hits'


"You listen to Huey Lewis and the News and it might be the only thing that stands out from the `80s that's still really enjoyable and not a relic."
-John Mayer

Whether one loves music or not, everyone seems to remember the first album they ever bought. Mine was Fore by Huey Lewis and the News in March of 1987. Twenty-plus years up the road, I still listen to Fore and all of Huey’s albums on a regular basis. It appeared to be inconsequential music at the time, but in reality, as their 2006 Greatest Hits package proves, Huey Lewis and the News is a band whose music will remain timeless for decades to come. Sure, it’s not edgy, forward thinking, but like Bill Haley, Buddy Holly and many of the early Beatles and Elvis albums, these songs are for the most part ageless. I was discussing the perfect summer album with a friend and we were throwing out assorted titles from our past, but I couldn’t get Huey Lewis & the News out of my head, because no matter the time or place, their music seems to hit a chord with anyone and everyone. When I write a “Heart Songs” column, it’s usually because of a singular song that has moved, transformed or just flat out comforted me. There really isn’t one Huey Lewis & the News song that does this more than another, hence why I’ll nominate their Greatest Hits album as an all encompassing mix tape.

One wonders how Huey Lewis and the News became as big as they did in an era where image meant everything. Looking back over a quarter century of videos and pictures, there's no embarrassing outfits and no bad hair (OK, I admit, guitarist Chris Hayes has a mullet in some early pictures, but if one were to ever have a mullet, this would be the one to have). What’s even more surprising is that their no nonsense music appeared to be a flashback of nostalgic hooks and melodies from the 50’s and 60’s, but in reality, twenty years down the road, these songs still resonate as strongly today as when they were first recorded. Even standard pop numbers, like “Heart and Soul” and “Power of Love”, use the keyboards and synthesizers as a rhythm track instead of relying on them for the melody. The bands roots lied in the American R&B rock n’ roll of the pre-Beatles era and magically one senses that whenever Huey Lewis and the News appeared on the music scene, they would have made an indelible impression at any time in the last fifty years because the songs themselves feel like they could have come from any part of the rock n’ roll era.

Time Flies…) inexplicably was missing over half of their hits, including a few number one hits. However Greatest Hits gathers the most comprehensive look to date of the band. The only Top-Forty hits that charted which do not make an appearance here are the Vietnam Veteran anthem “Walking on a Thin Line” from 1984 and “It Hit Me Like A Hammer” from 1991. Their cover of “Some Kind of Wonderful” would have been a nice inclusion but when you have a disc just shy of 80-minutes, one cannot complain about a few missing songs. Two of the band’s albums are not represented here; their sentimental self-titled debut (“Some of My Lies Are True” should have made the cut and I don’t count “Trouble In Paradise” since it’s a live rendition) and the band’s 2001 album, Plan B (which would not have been out of place in record bin of R&B artists from 1962). In my personal opinion, “Hope You Love Me Like You Say You Do” and “Trouble In Paradise” (from the “We Are The World” album) could have been cast off from Greatest Hits in favor of a track from each of those albums but this is a terribly small quibble.

Most of the songs are represented as single edits (most available on CD for the first time). “Back In Time”, “Cruisin’” (a duet with Gwyneth Paltrow) and the a Capella “It’s Alright” also appear for the first time on a proper Huey Lewis and the News album. Besides the Number One singles (“Power of Love”, “Stuck With You”, “Jacobs Ladder”, “Hip To Be Square”) there are numerous other Top-Ten songs that may have been forgotten but are instantly recognizable including “I Know What I Like” highlighted by a thundering back beat by drummer Bill Gibson, the tongue in cheek “Perfect World”, the underrated working anthem “Couple Days Off”, a unwavering cover of “But It’s Alright” and classic rock radio staples ”If This Is It”, “Heart & Soul”, “Workin’ For A Livin’”, “Do You Believe In Love?”, “I Want A New Drug” and “The Heart of Rock N’ Roll”. The album also includes liner notes by Huey Lewis and a special edition of the set has ten extra music videos from their MTV heyday (Sadly, for a band who is widely associated with the music video the disc should have covered all of them).

It’s hard to find a Greatest Hits album by any artist who has had all twenty-one songs chart in the Top-Forty of one of the Billboard charts (Pop, Rock and Adult Contemporary). That in itself is astonishing feat notably considering that seventeen of these cuts made the Top-Ten. Huey Lewis and the News may not have been the most experimental or subversive artists of all time, but they were a group who christened raw energy, instinctive trust in one another and were able to create some of the most perfectly textured harmonies of the last quarter century. The splendor of these songs lies in their minimalism as they still sound novel in a nostalgic good old rock n’ roll sense. Two decades past their commercial peak, the band still plays to large crowds yearly. The band may never have a platinum album again, yet their place in rock n’ roll history is secure. I’m proud to say the first band I ever loved and bought albums from consistently was Huey Lewis and the News. Greatest Hits is meant to sum up the bands place in time and it will most likely define them in the decades to come. Let’s hope another generation rediscovers the wit, charm and harmonies created by the News; Chris, Mario, Bill, Johnny, Sean and Huey.

Buy the album here and here
 
Anthony Kuzminski is a Chicago based writer and Special Features Editor for the antiMusic Network. His daily writings can be read at The Screen Door. He can be contacted at thescreendoor AT gmail DOT com and can be followed on Twitter





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